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・ Jeanne Darville
・ Jeanne de Bar, Countess of Marle and Soissons
・ Jeanne de Bellem
・ Jeanne de Bourbon
・ Jeanne de Bourbon, Duchess of Bourbon
・ Jeanne de Béthune, Viscountess of Meaux
・ Jeanne de Casalis
・ Jeanne de Clisson
・ Jeanne de Fougères, Countess of La Marche and of Angoulême
・ Jeanie Bryson
・ Jeanie Buss
・ Jeanie Collier
・ Jeanie Cunningham
・ Jeanie Deans
・ Jeanie Deans (disambiguation)
Jeanie Deans (opera)
・ Jeanie Deans (play)
・ Jeanie Deans (poem)
・ Jeanie Deans (railway locomotives)
・ Jeanie Deans (song)
・ Jeanie Descombes
・ Jeanie Drynan
・ Jeanie Finlay
・ Jeanie Forrester
・ Jeanie Gould
・ Jeanie Johnson
・ Jeanie Johnston
・ Jeanie MacPherson
・ Jeanie Riddle
・ Jeanie Riddle (artist)


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Jeanie Deans (opera) : ウィキペディア英語版
Jeanie Deans (opera)

:''For other uses of the name Jeanie Deans see Jeanie Deans (disambiguation)''
''Jeanie Deans'' is an opera in four acts by Hamish MacCunn (1868–1916) set to a libretto by Joseph Bennett which is loosely based on Walter Scott's novel, ''The Heart of Midlothian'' and is named after its heroine, Jeanie Deans. The opera was commissioned by the Carl Rosa Opera Company and first produced at the Royal Lyceum Theatre in Edinburgh on 15 November 1894〔(Stuart Scott, "Hamish McCann" on musicwebinternational.com ) Retrieved 25 January 2012〕 to great acclaim.〔
The ending of the opera, in which Jeanie's sister, Effie Deans is freed from Tolbooth prison, is not in Scott's novel. The crowd scene in fact refers back to the beginning of the novel where the Porteous Riots are described. The plot of the opera, therefore, ends with the freeing of Effie, and the lives of Jeanie and her sister afterwards are not dealt with.
==Performance history==
After its initial performances, it was given in London two years later to poor reviews, although Queen Victoria is said to have liked it.〔 It was performed in repertory for over twenty years and has been revived in recent years.〔''New Grove Dictionary of Music and Musicians'', p. 455〕 Additionally, "the opera was revived again by Iain Whyte in 1938 at Edinburgh with some success. It was not seen in the theatre again until Glasgow Grand Opera Society staged it as their contribution to Festival Year 1951 with Joan Alexander in the title role〔
The original scores of the opera are available in the Mitchell Library, Glasgow and they form part of the MacCunn Collection in the Special Collections of Glasgow University Library.〔University of Glasgow. (MacCunn Collection )〕

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